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  • Modern Culture
    Modern Culture

    What do we mean by 'culture'? This word, purloined by journalists to denote every kind of collective habit, lies at the centre of contemporary debates about the past and future of society. In this thought-provoking book, Roger Scruton argues for the religious origin of culture in all its forms, and mounts a defence of the 'high culture' of our civilization against its radical and 'deconstructionist' critics. He offers a theory of pop culture, a panegyric to Baudelaire, a few reasons why Wagner is just as great as his critics fear him to be, and a raspberry to Cool Britannia. A must for all people who are fed up to their tightly clenched front teeth with Derrida, Foucault, Oasis and Richard Rogers.

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  • Culture to the Max! : Culturally Responsive Teaching and Practice
    Culture to the Max! : Culturally Responsive Teaching and Practice

    Transform your classroom and school and create opportunities for students from all cultural backgrounds Culture to the Max!: Culturally Responsive Teaching and Practice presents readers with a powerful new set of Culturally Responsive Teaching standards that can be used by teachers and administrators to counter institutionalized racism and white supremacy.The book offers an in-depth look into the practice and implementation of Culturally Responsive Teaching that can inform curriculum development, teacher evaluation, and classroom and culture evaluation.In this book, readers will find: The criteria necessary to apply consistent reliability and efficacy guidelines to culturally responsive practicesA seven-pillar Culturally Responsive Teaching framework that includes essential skills development, experiential learning, leadership development, identity development, restorative justice, social and emotional learning, and sociopolitical consciousnessExpert opinions, practice tips, and personal anecdotes that address the challenges and triumphs of the implementation of culturally responsive classroom behaviorsPerfect for K-12 educators and administrators, Culture to the Max! also belongs in the libraries of teachers-in-training and higher education professionals who seek to acknowledge, respond to, and celebrate the right of all students to enjoy full and equitable access to education.

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  • Radically Responsive Music Schools : Leading Change through Culture-Building
    Radically Responsive Music Schools : Leading Change through Culture-Building

    Radically Responsive Music Schools is a philosophical reimagining of music higher education culture from the ground up, arguing that holistic cultural change is the key factor needed for music schools to prepare 21st-century graduates for contemporary challenges. The author discusses how university and conservatory music programs can incorporate traits they seek to foster in their students – creativity, innovation, improvisation, and entrepreneurial thinking – into the institutions themselves.Through Deep Listening exercises, thought experiments, and other activities, Pertl provides detailed scaffolding for creating music school cultures of belonging and collaboration, wellbeing and intention, curiosity and wonder, creativity and improvisation, and playfulness and joy.Unpacking the complexities of transforming institutional culture, this book envisions the modern school of music as agile, collaborative, and socially aware and outlines pathways for leaders to realize this vision. Radically Responsive Music Schools is an essential resource for college-level music education administrators, professors, students, or staff members interested in how institutional culture can act as a catalyst for radical change in music programs.

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  • Early Modern Court Culture
    Early Modern Court Culture

    Through a thematic overview of court culture that connects the cultural with the political, confessional, spatial, material and performative, this volume introduces the dynamics of power and culture in the early modern European court. Exploring the period from 1500 to 1750, Early Modern Court Culture is cross-cultural and interdisciplinary, providing insights into aspects of both community and continuity at courts as well as individual identity, change and difference.Culture is presented as not merely a vehicle for court propaganda in promoting the monarch and the dynasty, but as a site for a complex range of meanings that conferred status and virtue on the patron, maker, court and the wider community of elites.The essays show that the court provided an arena for virtue and virtuosity, intellectual and social play, demonstration of moral authority and performance of social, gendered, confessional and dynastic identity. Early Modern Court Culture moves from political structures and political players to architectural forms and spatial geographies; ceremonial and ritual observances; visual and material culture; entertainment and knowledge.With 35 contributions on subjects including gardens, dress, scent, dance and tapestries, this volume is a necessary resource for all students and scholars interested in the court in early modern Europe.

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  • "Am I hardly interested in modern culture anymore?"

    It's possible that you are feeling less interested in modern culture due to a variety of reasons such as feeling disconnected from current trends, finding modern culture to be overwhelming, or simply evolving interests. It's important to explore the reasons behind your decreased interest and consider if there are aspects of modern culture that still resonate with you. It's also okay to shift your focus towards other interests that bring you fulfillment and joy.

  • What impact does high culture have on modern Egypt?

    High culture in Egypt, including art, literature, and music, plays a significant role in shaping the country's identity and influencing its society. It serves as a source of national pride and heritage, connecting Egyptians to their rich history and traditions. High culture also contributes to the country's economy through tourism and international recognition, showcasing Egypt's artistic talents on a global stage. Additionally, high culture can inspire social change and promote dialogue on important issues, serving as a platform for expressing diverse perspectives and fostering creativity and innovation in modern Egypt.

  • What are event culture and time culture?

    Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.

  • Which culture is the best culture in the world?

    It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.

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  • New Directions in Print Culture Studies : Archives, Materiality, and Modern American Culture
    New Directions in Print Culture Studies : Archives, Materiality, and Modern American Culture

    New Directions in Print Culture Studies features new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America.The unifying questions posed and answered in this book are methodological: How can we make material, archival objects meaningful?How can we engage and contest dominant conceptions of aesthetic, historical, and literary periods?How can we present archival material in ways that make it accessible to other scholars and students?What theoretical commitments does a focus on material objects entail?New Directions in Print Culture Studies brings together leading scholars to address the methodological, historical, and theoretical commitments that emerge from studying how periodicals, books, images, and ideas circulated from the 19th century to the present.Reaching beyond national boundaries, the essays in this book focus on the different materials and archives we can use to rewrite literary history in ways that highlight not a canon of “major” literary works, but instead the networks, dialogues, and tensions that define print cultures in various moments and movements.

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  • Mashup: The Birth of Modern Culture
    Mashup: The Birth of Modern Culture

    MashUp: The Birth of Modern Culture traces the inexorable rise of collage, montage, sampling and the cut-up.Tracing its roots from the multiple-perspectives, montages and readymades of Marcel Duchamp, Kurt Schwitters and Hannah Hoch, to the present - with its postmodern network culture, where remixing and co-production are the norm and the New Aesthetic seeks to harmonise the now-everyday crossover of the digital and the actual. The book addresses the development of detournement and deconstruction in art, architecture, music and society.Each chapter is a detailed, inclusive look at a cross-section of the main artists and thinkers that have embraced and developed all forms of 'mashup' culture, since its inception in the late nineteenth century with Braque and Picasso's experiments into perspective. MashUp: The Birth of Modern Culture finds parallels between the works of luminaries such as Jean-Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting impact of such seemingly disparate cultural phenomena as voguing, hacking and the use of audio and film as a kind of a globally available, open source language in vidding, hip hop and dub, and in art that deals with the mass proliferation and dissemination of images and knowledge brought on by digital technologies. MashUp: The Birth of Modern Culture situates the work of Andy Warhol, Richard Hamilton and Guy Debord alongside the likes of Rem Koolhaas and Bruce Mau, Superstudio, Brian Eno and Cory Arcangel, and more generally within a culture where the new is necessarily re-made and re-modelled, and quotation and re-appropriation are an integral part of the way we talk about it. Published in collaboration with the Vancouver Art Gallery.

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  • Revaluing Modern Architecture : Changing conservation culture
    Revaluing Modern Architecture : Changing conservation culture

    Theconservation of our Modern architectural heritage is a subject of vehementdebate.When do buildings become old or significant enough to warrant specialheritage status and protection?Should Modern listed buildings be treateddifferently from those of earlier periods? And what does all this mean forbuilding users and owners, who might be better served if their buildings were lessauthentic, but more comfortable and usable?Presenting aclear line of sight through these complex questions, this book explores theconservation, regeneration and adaptive re-use of Modern architecture.Itprovides a general grounding in the field, its recent history and currentdevelopment, including chapters on authenticity, charters,listing and protection.Case studies drawing on the author’s extensivepractical experience offer valuable lessons learnt in the conservation of Modern heritage buildings.Looking beyond the specialist field of‘elite’ heritage, Revaluing Modern Architecture also considers the changing culture of conservationfor ‘sub-iconic’ buildings in relation to de-carbonisation and theclimate emergency.It suggests how revaluing the vast legacy of modern architecture canhelp to promote a moresustainable future. Features leading conservation projects,such as the celebrated Penguin Pool atLondon Zoo, Finsbury Health Centre by Lubetkin & Tecton and Wells Coates’Isokon (Lawn Road) Flats, as well aspreviously unpublished projects. Analyseskey Modern conservation controversies of recent yearsIllustrated with over 160photos and drawings. An essential primer forarchitectural students and practitioners, academics, those employed inconservation and planning, property owners, developers, surveyors and buildingmanagers.

    Price: 47.00 £ | Shipping*: 0.00 £
  • Popular Culture in Early Modern Europe
    Popular Culture in Early Modern Europe

    The concept of cultural history has in the last few decades come to the fore of historical research into early modern Europe.Due in no small part to the pioneering work of Peter Burke, the tools of the cultural historian are now routinely brought to bear on every aspect of history, and have transformed our understanding of the past. First published in 1978, this study examines the broad sweep of pre-industrial Europe's popular culture.From the world of the professional entertainer to the songs, stories, rituals and plays of ordinary people, it shows how the attitudes and values of the otherwise inarticulate shaped - and were shaped by - the shifting social, religious and political conditions of European society between 1500 and 1800. This third edition of Peter Burke's groundbreaking study has been published to mark the thirtieth anniversary of the book's publication in 1978.It provides a new introduction reflecting the growth of cultural history, and its increasing influence on 'mainstream' history, as well as an extensive supplementary bibliography which further adds to the information about new research in the area.

    Price: 36.99 £ | Shipping*: 0.00 £
  • Why is Turkish culture often confused with Arab culture?

    Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.

  • Is culture important?

    Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.

  • What thing is romanticized in modern culture nowadays but shouldn't be?

    One thing that is often romanticized in modern culture but shouldn't be is toxic relationships. Movies, TV shows, and social media often portray intense, tumultuous relationships as passionate and desirable, when in reality, they can be harmful and damaging. Romanticizing toxic relationships can lead people to believe that jealousy, control, and manipulation are normal aspects of love, when in fact, healthy relationships are built on trust, respect, and communication. It's important to recognize the difference between a passionate relationship and one that is unhealthy and harmful.

  • What thing is romanticized in modern culture today but shouldn't be?

    One thing that is often romanticized in modern culture today but shouldn't be is toxic relationships. Movies, TV shows, and social media often portray toxic behavior as passionate and intense love, which can lead people to believe that unhealthy dynamics are normal or even desirable. In reality, toxic relationships can be harmful and damaging to individuals involved, and it's important to recognize the signs of toxicity and prioritize healthy, respectful relationships instead.

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