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The Etruscans in the Modern Imagination
The Etruscans, a revenant and unusual people, had an Italian empire before the Greeks and Romans did.By the start of the Christian era their wooden temples and writings had vanished, the Romans and the early church had melted their bronze statues, and the people had assimilated.After the last Etruscan augur served the Romans as they fought back the Visigoths in 408 CE, the civilization disappeared but for ruins, tombs, art, and vases. No other lost culture disappeared as completely and then returned to the same extent as the Etruscans.Indeed, no other ancient Mediterranean people was as controversial both in its time and in posterity.Though the Greeks and Romans tarred them as superstitious and decadent, D.H.Lawrence praised their way of life as offering an alternative to modernity.In The Etruscans in the Modern Imagination Sam Solecki chronicles their unexpected return to intellectual and cultural history, beginning with eighteenth-century scholars, collectors, and archaeologists.The resurrection of this vanished kingdom occurred with remarkable vigour in philosophy, literature, music, history, mythology, and the plastic arts.From Wedgwood to Picasso, Proust to Lawrence, Emily Dickinson to Anne Carson, Solecki reads the disembodied traces of Etruscan culture for what they tell us about cultural knowledge and mindsets in different times and places, for the way that ideas about the Etruscans can serve as a reflection or foil to a particular cultural moment, and for the creative alchemy whereby artists turn to the past for the raw materials of contemporary creation.The Etruscans are a cultural curiosity because of their disputed origin, unique language, and distinctive religion and customs, but their destination is no less worthy of our curiosity.The Etruscans in the Modern Imagination provides a fascinating meditation on cultural transmission between ancient and modern civilizations.
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The Scots Imagination and Modern Memory
Andrew Blaikie explores how different, but connected, ways of seeing infuse relationships between place and belonging.He argues that all memories, whether fleeting glimpses or elaborate narratives, invoke imagined pasts - be these of tenement life, island cultures, vanished moralities, even the origins of social science.But do these recollections share a common frame of reference?Are our perceptions conditioned by a collective social imaginary? We see the impact of modernity on Scottish culture in visions of nation and community from the late eighteenth century on, from Adam Ferguson's ideas on civil society through John Grierson's pioneering of documentary film to structures of feeling in popular fiction.Landscape as the symbolic 'face of Scotland', with its attendant mental contours have been produced and debated in genres including travel literature, social commentary, novels and magazines, but it is the changes in how we capture and present images, particularly given recent technological changes in photography, which have affected the ways we identify and remember. Broadly sociological in approach, the range of Blaikie's analysis lends itself equally to those interested in social history, cultural geography and visual or memory studies. Key Features *Analyses relationships between memory and local and national identities *Provides interpretive connections between sociology, history, cultural geography and visual studies *Contains 25 black and white illustrations and numerous case studies
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Imagination (Wonder & Imagination) Unlined Hardcover Journal
The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”
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Imagination!
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What is imagination?
Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.
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Was it imagination?
Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.
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Fantasy or imagination?
Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.
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Do animals have imagination?
While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.
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The Imagination Emporium : Creative Recipes for Innovation
This is not your typical business book!We are all born creative and curious, but that sense of play and imagination gets squeezed out of us by the time most of us enter adulthood.Think of The Imagination Emporium as a cherished recipe book, a well-worn companion that busy people, like you, can dip in and out of, filled with useful ingredients to empower you with innovative solutions for your business, be it big or small.Why? Because Duncan Wardle believes that the skills we’re born with—Creativity, Empathy, Curiosity, and Imagination—will be some of the most sought-after skill sets of the next decade, as they will be the hardest to program into AI.In a world where we learn a vast variety of subjects, one thing often goes untaught: "HOW to actually Innovate".This book is here to change that by showing you the way to innovate, generate creative ideas, and bring them to life.
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Monsters and Borders in the Early Modern Imagination
This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era.The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment.Zones of interaction include chronological change – from the early New World encounters through the seventeenth century – and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.
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Active Imagination
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Animal Imagination
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Imagination or Reality: Spider?
Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.
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Has the imagination diminished?
No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.
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Is faith just imagination?
Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.
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Electric shock or imagination?
Electric shock and imagination are two very different things. Electric shock is a physical sensation caused by the flow of electric current through the body, while imagination is a mental process of creating images, ideas, or sensations that are not actually present. It is important to differentiate between the two in order to accurately assess and address any potential risks or concerns. If someone is experiencing symptoms of electric shock, it is important to seek medical attention immediately, while imagination is a natural and creative aspect of human cognition.
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