Fingerprint Template Compression:A Graph-based Approach Dietzel Olivia
CONNECTIONS GALORE- The ultimate I/O for your computerThe H8000FW offers four channels of pristine analog I/O combined with eight channels of AES/EBU, ADAT, and S/PDIF I/O. New FireWire I/O now allows direct connection to your Mac or PC so you can directly patch 24-bit audio to and from the eight inputs and outputs.The analog inputs feature either guitar-friendly 1/4 hi impedance input jacks or XLRs. The H8000FW also offers remotely switchable true bypass.DIGITAL EFFECTS WORKSTATION- Create your own algorithmsWith the H8000FW you will run out of ideas before you run out of DSP power. With our catalog of over 230 effects modules, you can create effects never before thought of either from the front panel or using the supplied development tools for PC or OS X. Whether creating your own unique signature effect or dialing up one of our studio standard effects from the plethora of preset-algorithms, you will never run out of creative possibilities.POST-PRODUCTION AND BROADCAST ESSENTIALS- The complex made simpleThe H8000FW is chock full of our best post-production effects, including: CB Radio, Cellular Phone, Long Distance, Random Dialer, Off Hook!, Real Dialer, Megaphone, Shortwave Radio, Traffic Report, Radio, Intercom, Public Address, Fries With That?, Office Intercom, Sound Truck, Talking Dashboard, Clock Radio, Bullhorn, Airplane Background, Jet Flybys, TankAttack, Mortar Shells, Stormwatch, TV in Next Room, Boom Box, to name a bunch. ..Also included are templates for eight precision delays for multichannel video post applications, and tools specifically designed to facilitate 5.1 frame rate conversion and its associated problem of pitch correction, along with a dedicated channel for time code delay.5.1 REVERB AND EFFECTS EXTRAORDINAIREThe H8000FW is packed with 5.1 halls, chambers, rooms, booths, ambient spaces, and plates, as well as a full tool kit of multichannel effects. Included are eight individually adjustable sets of straight delays, modulated delays, ribbon delays, reverse delays, panning delays, diatonic shifters, flangers, EQs, phasers, tremelos, and filters. AND NOW MIDI VIRTUAL RACKS- Stacked effects with instant program changeThe H8000FW offers twenty MIDI Virtual Rack preset-algorithms, featuring up to five full-blown effect processors ganged together. Each preset offers ten different tweaks which can be programmed, stored, and controlled in real time through MIDI. Up to forty-five different parameters can be controlled with one MIDI control message. Individually optimized for guitar, vocals, or percussion and designed with performance in mind. Single effects blocks are also offered as separated presets so that effect chains can be assembled using VSIG.OODLES OF SAMPLE/DELAY MEMORYThe H8000FW offers 174 seconds of mono or 87 seconds of stereo, leaving you plenty of time for looping and flying in choruses. It can be used in conjunction with the arsenal of effects. The H8000 offers fast, precise triggering.THE LONG AND THE SHORT OF IT- 8 channels of time compression/expansionEventide´s Timesqueeze algorithm has been proven in the demanding arena of broadcast production. If you need to time compress or expand your 5.1 audio for an HD broadcast, our new phase-locked 8 channel Timesqueeze is fast, simple, and sounds great.CONTROL FREAK?The H8000FW offers everything you need to control its parameters and functions from a remote. If you are on stage, the H8000FW offers full MIDI control or analog control. 1/4 inch TRS jacks accept up to two external foot pedals, up to six external foot switches, or a combination. If you are on the mixing stage, or behind the console, Eventide´s EVE/NET remote brings all the control and graphics display of the front panel, along with eight continuous controllers, to the sweet spot of your choice.ULTRASHIFTER THE APEX OF PITCH MANIPULATIONThe H8000FW incorporates Eventide´s most advanced formant-maintaining pitch shifter optimized for the human voice. The UltraShifter´s real-time adaptive resynthesis allows for unmatched modification of vocal timbre. So, if you are changing gender or going for something completely bizarre, we´ve got you covered.
&> The 16 project-based lessons in this book show students step-by-step the key techniques for working in Audition CC. Starting with the basics of audio interfacing and the Audition environment, students will move on to working in Waveform View, performing such tasks as basic editing, signal processing, audio restoration, mastering, and creating and recording files. The book also covers basic multitrack orientation and track parameters, creating music with sound libraries and by overdubbing, mixing strategies, and working with video. In addition, in this new updated version for Creative Cloud, students will learn about new effects like Stereo Expander, which widens the stereo image for a bigger-than-life sound, and Frequency Band Splitter, which extracts individual frequency bands from a file to their own separate files. Students will also explore numerous workflow enhancements, including track colorization to help identify tracks in multitrack projects, improved clip handling and merging, extended key commands, and more. Instructor Notes for this title will be available soon on the Pearson Higher Ed site. Download a copy of Adobe Creative Cloud PTG Product Guide from the PTG Academic Sales NEO group: https://neo.pearson.com/groups/ptg-academic-sales It includes a complete list of PTG CC products by application and user level and includes bestseller information. Product Description The fastest, easiest, most comprehensive way to learn Adobe Audition CC Classroom in a Book®, the best-selling series of hands-on software training workbooks, offers what no other book or training program does?an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts. Adobe Audition CC Classroom in a Book contains 15 lessons (and one bonus lesson on www.peachpit.com) that cover the basics, providing countless tips and techniques to help you become more productive with the program. You can follow the book from start to finish or choose only those lessons that interest you. Purchasing this book gives you access to the downloadable lesson files you need to work through the projects in the book, and to electronic book updates covering new features that Adobe releases for Creative Cloud customers. For access, go to www.peachpit.com/redeem and redeem the unique code provided inside this book. ?The Classroom in a Book series is by far the best training material on the market. Everything you need to master the software is included: clear explanations of each lesson, step-bystep instructions, and the project files forthe students.? Barbara Binder, Adobe Certified Instructor Rocky Mountain Training PART 1: INTRODUCTION Chapter 1: Audio interfacing Audio interface basics Mac OS X audio setup Windows setup Audio channel mapping Testing the audio setup Using external audio interfaces Chapter 2: The Audition environment Waveform vs. Multitrack views The Audition workspace Navigation PART 2: WAVEFORM VIEW Chapter 3: Basic Editing Opening files Selecting regions and changing levels Non-linear editing Chapter 4: Signal processing The effects rack Amplitude and Compression Delay and Echo effects Filter and EQ effects Modulation effects Reverb effects Special effects Multi-effects Stereo imaging Time and Pitch effects Using third-party VST and AU effects Using the effects menu Managing effects presets Chapter 5: Audio Restoration Reducing hiss via Noise Reduction Click/pop eliminator Reducing broadband noise DeHummer Removing artifacts with the spectral display Chapter 6: Mastering Mastering basics Applying EQ Applying dynamics Applying ambience Enhancing the stereo image Altering amplitude File conversion Analysis Chapter 7: Sound design Special effects Pushing the envelope of processing Chapter 8: Creating and recording files Recording into the Waveform Editor Recording into the Multitrack Editor Drag and Drop into an Audition Editor Importing Audio from CDs Saving Templates PART 3: MULTITRACK VIEW Chapter 9: Basic multitrack orientation About Multitrack production Commonalities with waveform view and integration between the two Looped playback Track controls Track areas Channel mapping Side-chaining effects Chapter 10: The Multitrack Mixer View Mixer view basics Using hardware controller Mixer customization via show/hide options Channel scrolling Chapter 11: Editing Clips Crossfading Mixing or exporting a collection of clips Fitting to specific durations Basic clip automation Add effects to individual