Baptism in Blood: Armenia as a template for an Era of Genocide: Catrina Pelton
Genocide: A Comprehensive Introduction is the most wide-ranging textbook on genocide yet published. The book is designed as a text for upper-undergraduate and graduate students, as well as a primer for non-specialists and general readers interested in learning about one of humanity´s enduring blights. The third edition will follow relatively closely the template established by the successful first two editions. Instructors who use the volume from year to yearwill not be required toadjust to extensive structural transformations. This new edition aims to bring the analysis and sourcing up to date; to freshen and renew subsidiary components of the book like images, box texts, secondary cases in the case-study chapters. A wide range of such alterations have been made, but the core chapter structure remains identical with the first two.
In The Holocaust by Bullets, Father Patrick Desbois documented for the first time the murder of 1.5 million Jews in Ukraine during World War II, based on wartime documents, interviews with locals, and the application of modern forensic practices on long-hidden gravesites. Nearly a decade of further work by his team, drawing on interviews with 5,000 neighbors of the Jews, has resulted in stunning new findings about the extent and nature of the genocide. The mass killings took place across the Eastern Front, in seven countries formerly part of the Soviet Union invaded by Nazi Germany. They followed a secret template, or repeatable script, that included a timetable and involved local inhabitants in the mechanics of death to ensure complicity, whether it was to cook for the killers; to clear, dig, and cover the graves; to witness their Jewish neighbors being marched off; or to take part in the slaughter. Narrating in lucid, powerful prose that has the immediacy of a crime report, Father Desbois assembles a chilling account of how, concretely, these events took place in village after village, from the selection of the date to the twenty-four-hour period in which the mass murders unfolded. Today, such groups as ISIS put into practice the Nazis´ lessons on making genocide efficient. 1. Language: English. Narrator: Stefan Rudnicki. Audio sample: http://samples.audible.de/bk/brll/009785/bk_brll_009785_sample.mp3. Digital audiobook in aax.
How the Murder of More Than Two Million Jews Was Carried Out—In Broad Daylight Based on a decade of work by Father Patrick Desbois and his team at Yahad-In Unum that has culminated to date in interviews with more than 5,700 neighbors to the murdered Jews and visits to more than 2,700 extermination sites, many of them unmarked. One key finding: Genocide does not happen without the neighbors. The neighbors are instrumental to the crime. In his National Jewish Book Award-winning book The Holocaust by Bullets, Father Patrick Desbois documented for the first time the murder of 1.5 million Jews in Ukraine during World War II. Nearly a decade of further work by his team, drawing on interviews with neighbors of the Jews, wartime records, and the application of modern forensic practices to long-hidden grave sites. has resulted in stunning new findings about the extent and nature of the genocide. In Broad Daylight documents mass killings in seven countries formerly part of the Soviet Union that were invaded by Nazi Germany. It shows how these murders followed a template, or script, which included a timetable that was duplicated from place to place. Far from being kept secret, the killings were done in broad daylight, before witnesses. Often, they were treated as public spectacle. The Nazis deliberately involved the local inhabitants in the mechanics of death—whether it was to cook for the killers, to dig or cover the graves, to witness their Jewish neighbors being marched off, or to take part in the slaughter. They availed themselves of local people and the structures of Soviet life in order to make the Eastern Holocaust happen. Narrating in lucid, powerful prose that has the immediacy of a crime report, Father Desbois assembles a chilling account of how, concretely, these events took place in village after village, from the selection of the date to the twenty-four-hour period in which the mass murders unfolded. Today, such groups as ISIS put into practice the Nazis´ lessons on making genocide efficient. The book includes an historical introduction by Andrej Umansky, research fellow at the Institute for Criminal Law and Criminal Procedure, University of Cologne, Germany, and historical and legal advisor to Yahad-In Unum.
Argues that the slave narrative is a new world literary genre In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal´s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave. Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.