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The Space Between: The Modern in Korean Art
Featuring over 130 artworks—some previously unpublished—this richly illustrated volume is essential for understanding modern art in Korea and how it evolved to meet the contemporary global contextIn The Space Between, a generative period in Korean art between the traditional and the contemporary is illuminated comprehensively for the first time.After the centuries-long Joseon dynasty came 35 uninterrupted years of the Japanese colonial period (1910–45) followed by the Korean War (1950–53).During this tumultuous time, Korean artists grappled with issues such as identity and nationalism and experimented with a broad range of media.The book is organized into five categories: “The Modern Encounter”— foreign influences enter the country in a significant way in the late 19th and early 20th centuries; “The Modern Response”—how foreign methods are accepted or rejected; “The Pageantry of the New Woman (Sinyeoseong) Movement”—modern women’s attitudes; “The Modern Momentum”—advances in using foreign styles; and “Evolving into the Contemporary”—a glimpse into the contemporary. Most notable during this period are the introductions of photography, sculpture and oils, which arrived via Japan and came to define modern art in Korea.At the same time, traditional ink painting reinvented itself: works grew larger in scale while keeping traditional landscape motifs with alterations in the use of color and composition.Artists of modern ink believed that theirs was the true future of modern art, unsullied by elements found in the West.By the end of the Korean War, the magnified status of the US made way for access to American abstract art and, indirectly, European informel.For nearly a decade, abstract expressionist and informel styles dominated Korean art.The volume concludes in the 1960s, setting the stage for contemporary art in Korea.
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In-Between
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Between Sisters
Tender, funny, bittersweet and moving, Kristin Hannah's Between Sisters skilfully explores the profound joys and sorrows shared in a close relationship, the mistakes made in the name of love, and the promise of redemption. We all make mistakes, but for Meghann Dontess the terrible choice she made some years ago cost her everything, including the love of her sister, Claire.Meghann is now a highly successful attorney, and has put all thoughts of love completely behind her – until she meets the one man who believes he can change her mind.Claire has fallen in love for the first time in her life, and as her wedding day approaches she prepares to face her strong-willed older sister.Reunited after two decades, these two women who believe they have nothing in common will try to become what they never were: a family.
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In Between
'Vivid . . . the history Maud Blair brings alive is significant in its detail' Beverley Naidoo, acclaimed author of Journey to Jo’burgWhat does it mean to grow up with an African mother and European father in racially segregated 1950s Rhodesia?For Maud Blair it meant being sent, aged four, to a ‘Coloured’ boarding school run by Christian nuns.It meant being taught in English rather than her native language, which she was encouraged to forget.It meant only seeing her family for two weeks during the school’s Christmas holiday, where Maud longed for the sense of belonging she once had. Labelled as neither African nor European, Maud tries to make sense of her mixed identity in the midst of political unrest and de facto apartheid, taking her to England via South Africa and back to post-independence Zimbabwe.The result is a strikingly original memoir that confronts privilege, prejudice and the place we call home. 'Important and powerful’ Natalie Evans, author of The Mixed-Race Experience'An unremitting search for identity' Florence Olajide, author of Coconut'Lucid, flowing and warm' Ibbo Mandaza, Director of the SAPES Trust'Immensely enjoyable' Professor Iram Siraj, University of Oxford
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What is the difference between an interactive movie and interactive television?
An interactive movie is a film that allows the viewer to make choices that affect the storyline and outcome, often through the use of branching narratives or decision points. Interactive television, on the other hand, refers to TV shows or programs that incorporate interactive elements, such as allowing viewers to vote on outcomes or participate in live polls. While both interactive movies and interactive television involve viewer engagement, the main difference lies in the medium - one is a film, while the other is a television program.
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What is the difference between an interactive and a non-interactive shell?
An interactive shell is a command-line interface that allows the user to interact with the system by entering commands and receiving immediate feedback. It is typically used for real-time interaction with the system, such as running commands, navigating directories, and managing files. On the other hand, a non-interactive shell is typically used for running scripts or batch processing, where the user does not need to interact with the system in real-time. Non-interactive shells do not provide a prompt for user input and are often used for automated tasks or background processing.
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What is the difference between versatile and diverse?
Versatile refers to something or someone that is able to adapt or be used in various ways or for different purposes. Diverse, on the other hand, refers to a range of different elements or characteristics within a group or system. While versatile implies flexibility and adaptability, diverse emphasizes variety and differences among the elements. In summary, versatile focuses on the ability to perform different functions, while diverse highlights the presence of a variety of different elements.
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Is my user account user-friendly?
To determine if your user account is user-friendly, consider factors such as ease of navigation, clear instructions, and accessibility features. Evaluate if users can easily find the information they need, if the interface is intuitive, and if there are options for customization. Conduct user testing to gather feedback on the account's usability and make improvements based on the results. Overall, a user-friendly account should prioritize the user experience and make it simple for users to accomplish their tasks efficiently.
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Between Us
Preorder Mhairi's new novel COVER STORY – coming soon! A SUNDAY TIMES BEST BOOK OF 2023 ‘Everything you want from a rom com and satisfyingly knotty with proper, recognisable characters.She just gets better and better’ JOJO MOYES ‘I LOVE her books PASSIONATELY and this is her best yet’ MARIAN KEYES ‘She’s so ridiculously talented . . . consider this recommendation my personal gift to you and your life’ EMILY HENRY When Joe and Roisin join their group of friends for a weekend away, it’s a triple celebration – a birthday, an engagement and the launch of Joe’s new crime drama on TV. But when Roisin sees secrets she shared with Joe play out on the TV screen, she knows that between us means nothing at all. Roisin finds herself searching for clues to the truth – about her life, their history, and the man she thought she loved. And it’s then that Roisin finds the most unexpected plot twist of them all.Among those same old friends, there’s a surprising potential for new beginnings . . . EVERYONE LOVES BETWEEN US ‘Mhairi McFarlane’s ninth novle is a treat . . . totally swoonworthy’ The Times ‘Mhairi writes with such magic, I am completely in awe . . . smart, funny, compelling – all things I’ve come to expect from Mhairi McFarlane’s books and more’ LUCY VINE ‘I love Mhairi McFarlane’s books and this was no exception . . . it’s clever and engrossing and sharp’ LOUISE O’NEILL ’No one writes like Mhairi and somehow she gets better with every book.So clever, so heartfelt and so unbelievably funny, Between Us is a perfect book’ LINDSEY KELK ‘So funny and smart.She’s brilliant at writing characters you really fancy, and characters you love to hate’ DAISY BUCHANAN ‘Mhairi is simply the best of the best, I adore everything she writes and I'm forever in awe of her talent . . . she makes me howl with laughter’ EMMA HUGHES ‘Buoyant and funny and warm, but still with enough realism and wryness to satisfy the cynic . . . A total treat!’ NIAMH HARGAN ‘Another cracking read, but something different too.Wise, clever . . . a brilliant rollercoaster of a romance’ PERNILLE HUGHES ‘A heart-swelling romance’ Best
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Between Two Waters : Heritage, landscape and the modern cook
'I laughed and cried a little, reading the book with Pam's voice in my head.A true inspiration on every level as a memoir and, as only Pam can, tells us all what we need to do' - ANGELA HARTNETT OBEA FINANCIAL TIMES BOOK OF THE YEARWhen world-class chef Pam first opened Inver, her restaurant on the shores of Loch Fyne, she set out to discover what makes 'modern Scottish food' - or if it even existed.This book traces Pam's journey to answer that question and in doing so reveals what we can all gather from our culinary heritage.Part memoir, part manifesto on the future of feeding the world and a feminist critique of the food business, it documents the difficult early days of her now multiple award-winning restaurant, reflecting on how the immersive experience of 'destination restaurants' can both help and hinder our understanding of wider land and food culture. From the soil to the kitchen, Between Two Waters interrogates the influences on what we eat: capitalism, colonialism and gender, as well as our own personal and cultural histories.Yet it also captures with real heart all that the dinner table has to offer us: sustenance, both physical and imaginative, challenges and adventure and, most importantly, communion with others. More than anything, it is a blisteringly original work from one of the world's most innovative thinkers about food, sustainability and landscape.
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Liminality and the Modern : Living Through the In-Between
This book provides the history and genealogy of an increasingly important subject: liminality.Coming to the fore in recent years in social and political theory and extending beyond is original use as developed within anthropology, liminality has come to denote spaces and moments in which the taken-for-granted order of the world ceases to exist and novel forms emerge, often in unpredictable ways.Liminality and the Modern offers a comprehensive introduction to this concept, discussing its development and laying out a conceptual and experiential framework for thinking about change in terms of liminality.Applying this framework to questions surrounding the implosion of ’non-spaces’, the analysis of major historical periods and the study of political revolution, the book also explores its possible uses in social science research and its implications for our understanding of the uncertainty and contingency of the liquid structures of modern society.Shedding new light on a concept central to social thought, as well as its capacity for pushing social and political theory in new directions, this book will be of interest to scholars across the social sciences and philosophy working in fields such as social, political and anthropological theory, cultural studies, social and cultural geography, and historical anthropology and sociology.
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Modern, Minimalist, Creative Catering, Touch Controlled Night Lights, Coffee Rooms, Professional
Modern, Minimalist, Creative Catering, Touch Controlled Night Lights, Coffee Rooms, Professional
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What is the difference between interactive and active?
The main difference between interactive and active is that interactive implies a two-way communication or exchange between two parties, where both parties are actively participating and engaging with each other. On the other hand, active simply means being engaged or involved in an activity without necessarily involving interaction with another party. In essence, interactive involves a higher level of engagement and communication compared to being active.
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What are the differences between active, interactive, and inactive?
Active refers to something that is in motion or in use, such as an active volcano or an active participant in a discussion. Interactive refers to something that involves two-way communication or action, such as an interactive game or an interactive website where users can engage with the content. Inactive refers to something that is not in use or not currently functioning, such as an inactive account or an inactive volcano. These terms describe different levels of engagement, motion, or functionality.
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What is the difference between dynamic and static?
Dynamic refers to something that is constantly changing or in motion, while static refers to something that is stationary or unchanging. In the context of programming, dynamic typically refers to dynamic memory allocation or dynamic typing, where memory is allocated at runtime and data types can change during execution. On the other hand, static refers to static memory allocation or static typing, where memory is allocated at compile time and data types are fixed. Overall, dynamic implies flexibility and change, while static implies stability and constancy.
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What is the difference between static and dynamic lift?
Static lift refers to the force generated by an object to counteract its weight and remain stationary in a fluid, such as air or water. Dynamic lift, on the other hand, is the lift generated by an object in motion due to the pressure difference between the upper and lower surfaces of the object. In simple terms, static lift keeps an object suspended in a fluid without any movement, while dynamic lift allows an object to move and generate lift as it travels through the fluid.
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